Historical Garden – Deepwood http://deepwood.net/ Thu, 21 Oct 2021 09:34:25 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://deepwood.net/wp-content/uploads/2021/07/icon-2-150x150.png Historical Garden – Deepwood http://deepwood.net/ 32 32 Lancaster County’s Historic House Museums Need Special Care | Home & Garden https://deepwood.net/lancaster-countys-historic-house-museums-need-special-care-home-garden/ https://deepwood.net/lancaster-countys-historic-house-museums-need-special-care-home-garden/#respond Thu, 21 Oct 2021 09:00:00 +0000 https://deepwood.net/lancaster-countys-historic-house-museums-need-special-care-home-garden/ Considering current building prices, you’d be hard pressed to find someone who needs a new roof and can’t wait to find out how much it will cost. Tiffany Fisk certainly isn’t. She is the administrator of 1719 Herr House & Museum on Willow Street where, she says, the steeply pitched roof of the oldest Mennonite […]]]>

Considering current building prices, you’d be hard pressed to find someone who needs a new roof and can’t wait to find out how much it will cost.

Tiffany Fisk certainly isn’t.

She is the administrator of 1719 Herr House & Museum on Willow Street where, she says, the steeply pitched roof of the oldest Mennonite meeting house in the Americas is due to be replaced within a few years. There are currently 4,600 White Oak Side Lap Shingles. Some are starting to curl.

“It’s about getting the right material and installing it the right way, which on this house is a challenge,” says Fisk.

Welcome to the kind of project that most Lancaster County residents usually don’t need to consider. Of course, many homes in designated historic neighborhoods must meet standards set by a historic architecture review committee. But older homes with museum designations may have even more blocks to check out.

“I can’t speak to the way other small museums do things, because we all have different boundaries,” says Fisk. “But I can tell you that as the person responsible for the upkeep of the oldest surviving house in the county, I rely on architectural history experts and historical craftsmen.”

Details and decisions

Workers installed the current roof of Herr House about 20 years ago to make it historically accurate. Prior to that, the house, built in 1719 by Christian (son of Hans) and Anna Herr, for a time sported the type of roof one would find on a much more modern structure. This was before his time at the museum, but Fisk says there were different theories as to what could have been up there to begin with.

“Would it have been a roof of red clay tiles?” Would it have been a thatched roof? What would it have been? she says.

Fortunately, a piece of what would have been an original oak shingle was discovered in the house, she says. Mystery solved. Selected material.

Stanley White, president of the Southern Lancaster County Historical Society, says he made sure the state runs as many projects as possible at Robert Fulton’s birthplace before handing that over to the historical society.

This included old warehouse roofs (one of which protects the company’s records) that were largely reconstructed with historic Peach Bottom slate. A similar substance was used when that slate ran out, White says.

Some of this slate was removed from a barn on the property, which instead received a new metal roof. White says the decision was made in conjunction with the State Historical & Museum Commission and “seemed like the best way to get the most important buildings to keep their slate.”

White says the state also pruned a huge button tree before handing over the keys. That way, the company wouldn’t worry about huge branches falling on the house where Fulton – best known for his steamboat – arrived on the scene in 1765.

The details of the deal took a few years to work out, but the company ended up buying Robert Fulton’s birthplace for $ 1 and took possession of it in 2017. Now it’s a matter of continuing to maintain the located property. , of course, in Fulton Township.

The state has a say in the colors and changes to the birthplace because it is a registered historic site, White says. Most of the colors have already been discussed with state officials. So unless the company wants to make a change, they’re equipped with all the paint samples they need and in some cases leftover paint.

People can take painting very seriously in the old homes they visit. Fisk says she learned this at Historic Williamsburg, where she held various roles.

Fisk says he compares a massive, historically rich place like Williamsburg to the small plot she’s working on now, it’s apples and oranges.

“But one of the things with a place like this – and I would say here too – is that people have been going there for years,” she says. “If something changes, they don’t always like it.”

Say, for example, a room in Williamsburg is repainted with a different shade.

“They’ll say, ‘I came here in 1955. And it was that color back then,’” she says.

Fisk says scientific advances now allow historians to better understand what the past really looked like, including the colors of the walls. “Now we’re able to look at things with technology that wasn’t there before,” she says.

It’s a potential learning opportunity for visitors, she says. This explains why Herr House’s current oak shingles aren’t exactly like that once-hidden room.

The original shingles were red oak, Fisk says. Those on the roof are now white. The difference in absorption made white the better choice, she says, adding that once the shingles are weathered, it’s hard to tell the difference.

Valuable volunteers

White says Fulton Birthplace volunteers keep historical accuracy in mind – even with the type of vegetables they plant in his garden.

“When a tree falls or a pipe breaks, our volunteers do what they can or hire professionals to do the job,” White explains. “I’m happy to report that the grounds are in the best condition they’ve ever been, thanks in large part to one or two volunteers who really enjoy doing it.”

The historical society raises funds through events such as an annual green vegetable sale. And White adds that prior to this $ 1 deal, he also insisted that adjacent farmland be included. A local farmer now rents the company 36 cultivable acres and four acres of pasture.

“This income is, to a large extent, the reason our small but hardworking society is able to face Robert Fulton’s birthplace property repairs with a brave face,” White said.

“There is a cancellation clause in our deed that basically says that if we fail to maintain the buildings or open the birthplace to the public, the state has the right to repossess the property,” White said. .

He was asked to take it off and told not to worry as it is unlikely to ever be used.

“I really doubt the state wants to take over the day-to-day care of the birthplace and I’m very happy to let us take care of that,” he said.

Sweat and sore muscles are involved.

“It’s not always fair, but many of our members aren’t as able to help as they used to be, so we tend to rely on the same people over and over again to do the heavy lifting,” White said. “Sometimes, however, I can get help from a friend of mine from outside the company to do a small project. As long as I don’t talk too much about history.

There’s also a small group that does most of the work at the Historic Stoner House in Manheim Township, says Deb Frantz, who is the director there.

The municipality owns this house. It is occupied, operated and maintained by the Manheim Township Historical Society, which on its website traces the history of the structure to a log cabin and cellar built in the 1700s by an innkeeper named Jacob Slough. The Wilhelm family owned it after Slough and built a Germanic stone structure attached to the cabin. The Stoner family then obtained it and owned it during an extension of the second floor of the house in 1848, by the company, which is now responsible for keeping the house in good repair.

“There are about 12 of us doing probably 99% of the work,” says Frantz.

The company hires professionals for big jobs like painting the exterior of the upper floor. But to save money, volunteers paint whatever parts they can get, says Frantz. Other tasks range from cleaning floors to tackling this summer’s yellow jacket infestation.

“They dug under a windowsill and we had a problem,” says Frantz. “It’s a stone structure, but they still found a way to… make their way through.” “

The volunteers went on the attack with a variety of substances and techniques.

“They tried a few different things and eventually got it under control and plugged the hole,” says Frantz.

She says there is a lot to do for anyone who wants to join the company but doesn’t have the skills to tackle this kind of task. Volunteers for fundraising, for example, are always needed, she says. But being nimble and energetic doesn’t hurt.

“We have younger members joining us,” she said. “Basically it is a hope and a prayer that there will be qualified people joining the group who have a historical mind and who have business skills.

Frantz says she is happy to work in a house that has centuries of history within its walls. The one she lives in is not.

“It’s not historic. I bought it because it requires little maintenance, ”says Frantz. “I have enough to do at the Stoner House.”


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Why Ridley Scott’s New Blockbuster Will Have You On The Edge Of Your Seat https://deepwood.net/why-ridley-scotts-new-blockbuster-will-have-you-on-the-edge-of-your-seat/ https://deepwood.net/why-ridley-scotts-new-blockbuster-will-have-you-on-the-edge-of-your-seat/#respond Wed, 20 Oct 2021 01:30:00 +0000 https://deepwood.net/why-ridley-scotts-new-blockbuster-will-have-you-on-the-edge-of-your-seat/ It’s been a while since movie fanatics across the country have been able to catch a blockbuster in theaters – and it’s safe to say we’re welcoming it back into our lives with open arms. It’s time to splurge on buckets of popcorn as big as your head, sip a frozen brain from a giant […]]]>

It’s been a while since movie fanatics across the country have been able to catch a blockbuster in theaters – and it’s safe to say we’re welcoming it back into our lives with open arms.

It’s time to splurge on buckets of popcorn as big as your head, sip a frozen brain from a giant iced coke, and devour a shock-top because the newest historical drama from 20th Century Studios, The last duel is the big screen experience you’ve been waiting for. Add the fact that this is a one-of-a-kind biographical epic from a woman’s perspective and you yourself have a moment in history that you won’t want to miss.

Prepare for a star-studded cast

The film centers on the main lady Marguerite de Carrouges, played by the astonishing Jodie Comer, who claims to have been raped by her husband’s friend who has become a rival.

Seriously juicy casting continues with husband Sir Jean de Carrouges played by Matt Damon, Count Pierre d’Alenço played by Ben Affleck and the one and only Adam Driver, who rightly takes up a lot of screen time playing the Squire in question, Jacques Le Gris. Not only that, the film was co-written by Oscar-nominated screenwriter Nicole Holofcener alongside Damon and Affleck (the first time they’ve co-written as screenwriters since Good Will Hunting) – so this is a big problem.

Everything you need to know about director Ridley Scott

Originally from England, Sir Ridley Scott is a renowned director and producer who is aacclaimed for its compelling visual style – if you’re a movie buff it definitely doesn’t need to be introduced. Catapult to a familiar name after making a sci-fi horror movie Extraterrestrial and neo-noir dystopian film, Blade runner, Scott also performed Oscars Gladiator … need we say more ?!

Damon, tuned in to Scott’s coveted expertise, succeeded to hang it up and put it in the director’s seat. Having already worked together on The Martian in 2015, Damon expressed his love for the pace at which Scott is making a movie, saying at a press conference that “The four cameras at once, the amount of momentum you get is just the whole thing. energy that’s around, right on the floor. Everything is happening and it’s really exciting. I love it. ”

Discover the real story that inspired the blockbuster on the big screen

By now, the star cast and acclaimed director have surely prompted you to reserve your spot, but in case you need more conviction, the real story behind the script will have you running to the movies.

The last duel: A True Story of Trial by Combat in Medieval France is a 2004 book by American author Eric Jager and is written about the last officially recognized judicial duel fought in France. Detailed in the book is the trial by combat which took place on December 29, 1386, by which Jean de Carrouges (Damon) confronts the squire Jacques Le Gris (Driver), after being accused of having raped his wife, Marguerite (Comer). The winner of the fight would be declared the winner, so you’ll have to watch the movie in theaters to see who emerges as the winner.

This moment in history has become a cultural legend in France and a source of great debate among historians, jurists and now all of us. So if you don’t want to be left out of the heated debates and intense post-cinema debriefings, be sure to attend 20th Century Studios. The last duel at the cinema on October 21.

Editor’s note: this article was produced in partnership with 20th Century Studios. Thank you for supporting the partners who make Urban List possible. To read our editorial policy, click here.


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Historic Homes You May Own in the Tucson Area Local News https://deepwood.net/historic-homes-you-may-own-in-the-tucson-area-local-news/ https://deepwood.net/historic-homes-you-may-own-in-the-tucson-area-local-news/#respond Sun, 17 Oct 2021 15:30:00 +0000 https://deepwood.net/historic-homes-you-may-own-in-the-tucson-area-local-news/ Welcome to Eleven Arches, also known as Grace Mansion. The historic trophy property was built in 1937, by famous architect Josias Joesler, as a winter residence for Louise N. Grace, the heir to the eastern shipping tycoon WRGrace. The private and gated enclave is located on 4.38 acres, in the prestigious gated community of The […]]]>

Welcome to Eleven Arches, also known as Grace Mansion. The historic trophy property was built in 1937, by famous architect Josias Joesler, as a winter residence for Louise N. Grace, the heir to the eastern shipping tycoon WRGrace. The private and gated enclave is located on 4.38 acres, in the prestigious gated community of The Estates at Eleven Arches, a prime location in the heart of the Catalina foothills. After a five-year restoration by the current owners, the property was listed on the National Register of Historic Places. The magnificent Tucson Landmark exemplifies the iconic architectural style of Joesler’s renaissance in the late 19th and 20th centuries and is famous for its residents, guests, events, architecture, and location. The distinctive estate is a world unto itself, offering 15,502 square feet of living space, resort-style grounds, complete privacy, unrivaled city views, and majestic mountain views. Exceptionally restored to capture its history, combined with today’s amenities, the estate exudes a warm and intimate atmosphere for everyday living, while providing the perfect venue for large-scale receptions. The majestic south courtyard offers panoramic views of the city, an oversized swimming pool, several seating areas, covered patios, a picturesque covered walkway and ample space to accommodate over 250 guests. The area between the property wall and the property line on this oversized lot has room to build, measuring an incredible 2,389 acres and can accommodate over 70 parked cars. The enclosed private promenade reveals the first sight of prominent elegance. A true masterpiece, built mostly of mud mud, with 24 “exterior walls. The bright interior spaces are graciously sized, with access to the terrace from almost every room. The main residence has interior walls 14 “with fully colored platinum grade gypsum plaster. The formal dining room features exquisite Italian lime-waxed and marbled plaster. The residence is an art collector’s dream lined with a gallery-quality hanging and lighting system. Notable features of the property include a private 600-foot-deep steel water well in addition to city water, 9,948 square feet. main residence, 5553 sf. independent guest rooms and a total of 10 bedrooms and 12 bathrooms. At a glance in the main residence, the main level comprises a large entrance hall, a two-story foyer, a formal living room, a formal dining room, a chef’s kitchen with dining area, a pantry , a laundry room and two shower rooms for the guests. The master bedroom wing, also on the main level, features a media room with a full bathroom, an office, bathrooms and closets, as well as a serene private terrace. The second level has two generously sized guest bedrooms with en-suite bathrooms, each with a private balcony offering endless city views. The spectacular staircase in the large entrance hall leads to the guest rooms, which can also be accessed by a lift. The guest quarters casitas offer endless possibilities: home office, gym, art studio, wine cellar, staff quarters. The storage quarters can easily be converted into an additional casita. Casita One offers four bedrooms, three bathrooms, kitchen, living room, fireplace, and private patio. Casita Two has two bedrooms, one full bathroom. Casita Three has one bedroom, one bathroom. Additional amenities include: Zoned HVAC, Sonos sound system in primary residence, commercial grade water softener. Oversized detached garage for 4 cars with workshop, detached garage for 1 car for guest rooms. The chef’s kitchen includes appliances from Viking, Fisher & Paykel, Miele and Sub-Zero. A truly inspiring lifestyle awaits you, come and see it for yourself. See the Video and Documents tab for more information, including floor plans and video. Historical documents, restoration and list of notable features available. Recent survey and assessment available upon request.


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18th century Daniel T. Church estate for sale in Tiverton https://deepwood.net/18th-century-daniel-t-church-estate-for-sale-in-tiverton/ https://deepwood.net/18th-century-daniel-t-church-estate-for-sale-in-tiverton/#respond Sat, 16 Oct 2021 10:37:49 +0000 https://deepwood.net/18th-century-daniel-t-church-estate-for-sale-in-tiverton/ TIVERTON – Picture this: the year is 1789. John Adams is the first vice president of the United States. Fletcher Christian has just led the mutiny on HMS Bounty against Captain William Bligh. The French Revolution began with the storming of the Bastille. If history is your vibe, there is a house in Tiverton with […]]]>

TIVERTON – Picture this: the year is 1789.

John Adams is the first vice president of the United States. Fletcher Christian has just led the mutiny on HMS Bounty against Captain William Bligh. The French Revolution began with the storming of the Bastille.

If history is your vibe, there is a house in Tiverton with your name on it.

The Daniel T. Church Estate, located at 1392 Main Road, was built in 1789. But don’t worry, this is a historic federal style house that has been updated with all modern conveniences as $ 1.15 million. of dollars can buy, like a chef’s kitchen with soapstone sink, butler’s pantry, sunny breakfast nook, laundry room, and cloakroom, according to the ad.

And oh yes, it has six bedrooms, four bathrooms, and almost 5,000 square feet of living space.

Real estate report: Fall River’s multi-family homes don’t come cheap, either

Historic details include wood-paneled walls, recessed and ‘exquisite’ crown moldings, six fireplaces and a classic raised paneled staircase that leads to the master suite with office, walk-in closet and bathroom.

The property is nearly 3 acres in size and features a 9 acre pond frontage. In addition, the estate includes a garden outbuilding, an artist’s studio and a gazebo by the pond.

The house is being offered for sale by Century 21 Topsail Realty.


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Garden State Jewish farmers https://deepwood.net/garden-state-jewish-farmers/ https://deepwood.net/garden-state-jewish-farmers/#respond Wed, 13 Oct 2021 22:00:00 +0000 https://deepwood.net/garden-state-jewish-farmers/ Somehow, miraculously, Wolf Ehrlich survived Auschwitz. In 1951, he immigrated to the United States with his new wife, Hannah, another Polish survivor. When they arrived here, a Jewish philanthropic organization set them up as poultry farmers in Egg Harbor. They worked hard and eventually became owners of a chicken and egg business. The Jewish farmers […]]]>

Somehow, miraculously, Wolf Ehrlich survived Auschwitz. In 1951, he immigrated to the United States with his new wife, Hannah, another Polish survivor. When they arrived here, a Jewish philanthropic organization set them up as poultry farmers in Egg Harbor. They worked hard and eventually became owners of a chicken and egg business.

The Jewish farmers of the Garden State were already well established by the time the Ehrlichs arrived; in fact, these survivors were late additions to the Egg Harbor colony.

The phenomenon began in the 1880s, when thousands of Jewish farm settlers left pogrom-infested Russia to create farming communities on four continents.

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A farmer checks his melons.

Most of us are familiar with the farming businesses these immigrants set up in what was then Palestine, painstakingly paving the way for a successful Jewish settlement in areas such as Petach Tikva, Rishon LeZion, and Zichron Yaacov.

Now we can learn more about those who chose to cultivate the soil in the United States, Canada, Brazil, Argentina and even Germany, among others.

An online exhibition on modern Jewish agriculture will launch on October 21 with a Zoom presentation by the exhibition’s creator, Jonathan Dekel-Chen, professor of Soviet and East European Judaism at the Hebrew University in Jerusalem. He is a visiting scholar this year at the Allen and Joan Bildner Center for the Study of Jewish Life at Rutgers University.

A Jewish farmer finishes milking his cows. (Library of Congress)

New Jersey was the poultry capital of the eastern United States, said Dr Dekel-Chen. Although hundreds of Jewish farms also flourished in the New York Catskills, parts of Connecticut and as far west as California, there were large concentrations of farms in the counties of southern New Jersey – Atlantic, Cumberland, Salem and Cape May – and even further north in Morris County (see sidebar).

“By the time the Ehrlichs arrived, Jewish philanthropic organizations knew how to effectively resettle immigrants to agricultural settlements,” Dr. Dekel-Chen said.

While some Jews arrived from Europe with agricultural experience, he added, the vast majority had to learn on the job, but they received help.

The flyer from an agricultural school in Doylestown, Pa., The third and last such Jewish school in the country. The second school was in Peekskill.

“Wolf and Hannah got an existing home with an affordable mortgage. There were self-help societies in these settlements that allowed them to buy whatever they needed and helped them market their products. The Jewish Agricultural Society had a training network throughout North America.

The products of Jewish farms were not limited to chickens, he continued. “Over time, what they grew changed and was different from place to place. Dairy products, field crops, tomatoes, root vegetables, orchards and vineyards have all been tried. Even tobacco in some places. However, poultry is a thread that runs through them all. It has provided income all year round. It’s low risk and low capital, and you don’t need a lot of training to be successful.

Dr Dekel-Chen speaks from experience. He grew up in Connecticut but has lived in a kibbutz bordering Gaza for 40 years, since he was 18.

A group stands in a field.

“I was a farmer for many years on the kibbutz,” he said. “My first big career was in agricultural machinery and irrigation. I arrived late at the academy. I started my bachelor’s degree at the age of 31.

His doctoral thesis was based on a large amount of information he had discovered in Russian, Yiddish, English, French, German and Spanish about Jewish agricultural settlements, much of it untranslated.

“I was fascinated to see what was going on there and how interconnected it was in terms of technology, the philanthropy that supported it and how people were moving in many countries to pursue agriculture,” said he declared.

Dr Jonathan Dekel-Chen will be at Rutgers this year as a visiting scholar at the Allen and Joan Bildner Center for the Study of Jewish Life.

As a visiting scholar at the Bildner Center, he had planned a public mini-course on the history of Jewish agriculture, focusing on New Jersey from the late 1800s to the early 1960s. He couldn’t wait to take Students take a field trip to see the buildings and cemeteries that remain in the Jewish farm clusters of southern Jersey.

Covid of course changed those plans. Dr Dekel-Chen brainstormed with Dr Nancy Sinkoff, academic director of the Bildner Center, and came up with the idea for a permanent online exhibition.

“At the launch, we will announce a crowdsourcing project to help us collect digital materials and digital artifacts relevant to Jewish agriculture everywhere,” he said. “Some of this information will be added to the online exhibit. “

Israel is not the focal point of the exhibition as its agriculture is already “legendary and iconic,” said Dr Dekel-Chen.

“However, what has become the agricultural miracle in Israel can only be understood in the context of the worldwide phenomenon of Jewish agriculture, which begins in the 1880s. Just as a handful of young idealistic Zionists came to create new settlements. agriculturalists in Ottoman Palestine, their Jewish neighbors, cousins ​​and classmates – for almost identical reasons – went to create utopian Jewish townships in the United States and elsewhere. In many ways, it eclipsed Jewish farm life in Palestine, but it didn’t last that long. “

Dr. Dekel-Chen shot some videos for the exhibit at Woodbine, one of New Jersey’s first and most successful Jewish agricultural towns.

A Jewish woman feeds a calf with big eyes. (Courtesy of Jack Delano, Library of Congress)

“The Baron of Hirsch Farm School, the country’s first vocational agricultural high school, was founded in Woodbine, and it was specifically aimed at the Jewish sons and daughters of the Jewish colony,” he said. Another followed in Doylestown, PA, and the third and last such school in the country was in Peekskill, NY.

The first principal of the Woodbine School was Hirsch Loeb Sabsovich, a Russian lawyer and one of the leaders of the Jewish agricultural movement Am Olam. His first attempt at farming in North America had failed and he returned to Russia to study chemistry.

When he returned to the United States in the late 1880s in a wave of hundreds of thousands of other European Jews, Sabsovich worked for the government at an experimental station in Fort Collins, Colorado.

This Woodbine cemetery was intended for the local rural Jewish community.

“The Baron Maurice de Hirsch Fund, the predecessor of the Jewish Agricultural Society, located Sabsovich there and asked him to oversee the founding of Woodbine as a model settlement with 12 immigrant Jewish families from Eastern Europe.” , said Dr Dekel-Chen.

“Sabsovich was known as a practical idealist. He was one of the few Jews in 1891 who knew modern agriculture and spoke English fluently during this time. It truly embodies the kind of transnational nature of Jewish agriculture.

In 1903, Woodbine became an independent borough of Dennis Township and Mr. Sabsovich was elected its first mayor. In 1900, Woodbine had 900 inhabitants, including 760 Jews. Twenty years later, 825 of the 1,400 inhabitants were Jewish. They remained in the majority until the 1930s.

This bag of potatoes comes from a Jewish farm in Ellington, Connecticut.

“Until about 1948, between 100,000 and 150,000 Jews were actively engaged in agriculture in hundreds of communities. It quickly declined due to a variety of factors, including the corporatization of agriculture in the United States, which began to suffocate family farms. “

Another factor was the GI Bill, which enabled WWII veterans – including returning veterans who had grown up in the colonies – to get a college education. Even those who chose to study agronomy rarely returned to the farm. One became the state agronomist of Connecticut, said Dr Dekel-Chen.

“There were a few residual Jewish tomato farmers in the 1970s, but most left in the late 1950s and early 1960s. Some of the farms became an early version of Airbnbs and summer cabins, especially in upstate New York and Connecticut. They rented rooms on their farms to Jewish vacationers in the city.

In Alliance, a Jewish farming colony in Salem County, a great-great-grandson of one of the founders recently created the Alliance Colony Reboot. “They still have the farmland and it is still cultivated,” Dekel-Chen said. “It’s relatively rare.”

“But other descendants still live quite close. The Vineland area is home to many because their parents chose to move in the 1950s and moved to the nearest town. Occasionally they have had meetings.

The online exhibit includes video clips, some shot on location decades ago, featuring the farmers themselves, and others shot by Dr Dekel-Chen at Woodbine and Alliance.

There are also historical photos and descriptions, interviews and music inspired by rural Jewish life. Oral histories are planned as a future addition.

Dr Sinkoff said the exhibit “reminds our local and national audiences of the rich history of Jewish agricultural settlement in New Jersey, the Garden State, illustrating that Jewish immigrants from Eastern Europe made their way. in the United States not only as industrial workers in urban areas “. centers, but also as chicken and dairy farmers in rural areas.

“These immigrants have planted deep roots in New Jersey and our exhibit honors their efforts; at the same time, this rich past is linked to the current interest of young Jews in re-engaging in agriculture as part of their commitment to the environment and sustainability in the 21st century.


Who: The creator of the Jonathan Dekel-Chen exhibition, Rabbi Edward Sandrow’s chair in Soviet and Eastern European Jewry at the Hebrew University of Jerusalem and the visiting scholar of the Bildner Center until June 2022

What: Will present virtual public lecture to launch online exhibit, “Jewish Agriculture in the Garden State,” at the Allen and Joan Bildner Center for the Study of Jewish Life at Rutgers University

When: Thursday October 21 at 1 p.m.

For information and registration: Prior registration is required; go to BildnerCenter.Rutgers.edu; call (848) 932-2033; or by e-mail to bildnercenter@sas.rutgers.edu


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Do you know the infamous story of the first tree in the Texas Panhandle? https://deepwood.net/do-you-know-the-infamous-story-of-the-first-tree-in-the-texas-panhandle/ https://deepwood.net/do-you-know-the-infamous-story-of-the-first-tree-in-the-texas-panhandle/#respond Tue, 12 Oct 2021 16:18:50 +0000 https://deepwood.net/do-you-know-the-infamous-story-of-the-first-tree-in-the-texas-panhandle/ It is not difficult to find a good story in the handshake if you look closely enough. Do you know the infamous story of the first tree in the Texas enclave? Buckle up. The first tree was Plant in the Texas Panhandle One of the most popular jokes about the area is that all the […]]]>

It is not difficult to find a good story in the handshake if you look closely enough. Do you know the infamous story of the first tree in the Texas enclave?

Buckle up.

The first tree was Plant in the Texas Panhandle

One of the most popular jokes about the area is that all the trees you see were brought here. This is exactly what happened with the “first” tree in the panhandle. The tree was bring here as a shrub by Thomas Cree after the Civil War while working for the Union Pacific railway company.

The first tree was part of a list of “honey to do”

According to the historic monument located at the site of the first tree, Thomas B. Cree walked 30 miles to get the sapling. Why take such a trip just to have a tree? His wife told him.

Husbands everywhere can relate to each other.

The marker indicates that he traveled “35 miles at the request of his wife”. Looks like honey to me. I will never complain about taking out the trash again.

The reason for transplanting the first tree …

… is actually very understandable. When Thomas Cree and his wife decided to move to the High Plains, there was no wood. They must have built a canoe.

In case you don’t know what a dugout canoe is, you can compare it to a hobbit’s house from these Lord of the Rings movies. Except these aren’t usually as ornate or comfy. They were temporary until a suitable log house could be constructed.

Which brings us back to the 35 mile journey to find something that would eventually produce logs.

The tragic end of the first tree

It’s a bit bittersweet. Cree’s little shrub never grew into a massive tree. However, he survived blizzards, droughts, summer heat, and whatever begging could throw at him.

That is to say until the 1970s.

Good intentions could be blamed for Tree’s disappearance

According to legend, there was a woman in the Texas enclave who one might assume was attempting to take care of the tree. After all, in the 1960s, the Men’s Garden Clubs of America made a special trip to honor the first tree in the panhandle, and a historical marker was placed and dedicated to it.

It was a important tree.

The story goes that this well-meaning woman sprayed weedkiller on the site. Unfortunately, this would lead to the disappearance of the small shrub.

The local legend even goes on to say that it was later removed from historical society. A little heavy if you ask me. I seriously doubt that she had a personal vendetta against the first tree in the Texas enclave.

The tree you see now is not the actual tree

No, the tree you see now is not the actual tree. Instead, it is a kind of “replacement” that was planted in 1990 by the citizens of the county.

The historical marker does not indicate exactly How? ‘Or’ What the tree is dead. This part is all the local legend. It simply indicates that the citizens planted a new tree there to honor the region’s early pioneers.

The tree may be dead, but the legend lives on

As far as I’m concerned, the most amazing part of this story is that it all started with a honey stain. Now, well over a century later, we all think of that little tree, Thomas Cree, and Thomas Cree’s wife telling him to walk 35 miles to get a tree so they can come out of the earth.

10 myths about Texas that even some locals believe

Everything is bigger in Texas, including the great tales! Our condition can seem quite strange to people from afar, or even to our immediate neighbors. There are several myths about Texas that range from eccentric to fun and just plain ignorant and insulting, and even some people born and raised believe them. Here are a few that we can dispel today.

The Legendary Stories Behind These Six Weird Texas Town Names

It’s no secret that Texas is home to some pretty weird city names. While the names of these places are quite strange in themselves, sometimes the story behind the name is even stranger.

Top 15 cities under the radar in Texas

Texas is booming, and as more and more people move here, they will be looking to relocate to areas like Austin or Houston. However, there are plenty of other places they should consider.

Using data from the US Census Bureau, as well as data on home sales and public school ratings, Orchard recently ranked and ranked the Top 15 Under the Radar Cities in Texas.

These are surprisingly good places to make a living for you and your family in the Lone Star State. Was your hometown on the list?


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“There is a leftist glaze tinged with pink around feminism”: artist duo Quinlan and Hastings | Art https://deepwood.net/there-is-a-leftist-glaze-tinged-with-pink-around-feminism-artist-duo-quinlan-and-hastings-art/ https://deepwood.net/there-is-a-leftist-glaze-tinged-with-pink-around-feminism-artist-duo-quinlan-and-hastings-art/#respond Mon, 11 Oct 2021 09:00:00 +0000 https://deepwood.net/there-is-a-leftist-glaze-tinged-with-pink-around-feminism-artist-duo-quinlan-and-hastings-art/ Ft over the past five years, artist duo Hannah Quinlan and Rosie Hastings have focused on gay bars. A couple as well as collaborators, they created happy gay bars one night only as performances, compiled a vast archive of moving images from over 100 of these places across the country and made films about the […]]]>

Ft over the past five years, artist duo Hannah Quinlan and Rosie Hastings have focused on gay bars. A couple as well as collaborators, they created happy gay bars one night only as performances, compiled a vast archive of moving images from over 100 of these places across the country and made films about the way male clubs and male only gay bars reflect a broader culture of male domination. Themes of security, belonging, visibility and power dynamics run through their work as part of an examination of issues related to policing, austerity and gentrification in society. in general. Oh, and they also do some wonderfully sultry designs featuring buff androgynous youths.

Today, London artists, who won the Jarman Film Prize last year, are turning to the feminist movement in Britain. “There’s a rose-tinted varnish left around the story of feminism,” Quinlan says when we meet in their studio on the Thames in London. “We wanted to use the same critical framework that we applied to male culture to look at women.” Their new exhibition Disgrace at Arcadia Missa Gallery in London explores the often overlooked historical links between British feminism and the political right through a series of prints, a film, a fresco, two drawings and a book.

The 12 prints – a new medium for the couple – form the centerpiece, theatrically drawing a common thread from largely female propaganda groups such as the Victoria League, formed in 1901 to strengthen Imperial networks, to the conservative pressure group Women2Win, co-founded in 2005. by Theresa May. Along the way, they cross paths with suffragists, volunteer women’s police groups and liberal feminists.

‘It’s about being responsible as white women’ … Republic # 2, 2021 Photography: Rob Harris / Courtesy: The Artists and Arcadia Missa, London

“Our goal was to create our own feminist timeline that presents this alternate narrative, thinking about the British Empire and colonialism, white feminism and how the class has intersected with issues of feminism, xenophobia and of racism during this period, ”says Hastings.

In this potted, chic timeline women are shown frolicking at a garden party, baking cakes to support the empire, raising perfect privileged children, and mobilizing in fascist black shirts; Fast forward to the ’70s, where pinched-faced Puritans and scantily clad liberals fight for the morality of sex work and pornography, and a decade later when a woman in a costume of power is shown carrying to climb on bodies to overturn a block of social housing.

These compositions are inspired by the magical realism of Paula Rego’s 1989 Nursery Rhyme prints and the brutal vocabulary of Goya’s War Disasters (1810-20), as well as other artistic heroes such as William Blake and Gustave Doré. Quinlan frequently pulls out drawing books to indicate the sources they used to capture a scene or movement. The Triumphs of Caesar series by Renaissance painter Andrea Mantegna (1484-92), for example, has been reinterpreted as a procession of successful Thatcherite women, including May and Priti Patel in the engraving I’m Not a Woman I ‘ m a Conservative.

Complementing the prints, a home theater-style ‘horror’ film, Portraits, features a kaleidoscope of nostalgic mock photographs of early 20th-century women interwoven with claustrophobic interiors of a Victorian mansion and spooky scenes of Edwardian dolls. attended by servants in an immaculate dollhouse. .

So what prompted Quinlan and Hastings to take on the feminist movement? Part of it was debates around intersectional feminism as well as artists’ distaste for die-hard Conservative MPs like May, Patel and even Boris Johnson proclaiming themselves feminists. Gender critical feminism, for Hastings a “defining issue of our generation”, was also a factor. “We were wondering what is the origin of all this? We kept going back and forth and found ourselves in the Edwardian period.

Months of research have revealed unsavory truths about women portrayed as national icons in school curricula. While it is not surprising that wealthy women promoted the imperial plan to increase their influence, it is less well known that a number of suffragists joined the British Union of Fascists from Oswald Mosley and that several were supporters of eugenics.

'A procession of Thatcherite women eager for success' ... I'm not a woman, I'm a curator
‘A procession of Thatcherite women eager for success’ … I’m not a woman, I’m a curator Photography: Rob Harris / Courtesy: The Artists and Arcadia Missa, London

Artists recognize that they can be accused of betraying an imaginary fraternity, but Hastings argues that it’s about being responsible as white women. “We do this because we are feminists,” she says. “Someone who sees this as an attack on feminism is probably an accomplice to this white racist feminism on the political right. “

Quinlan and Hastings met at Goldsmiths College in 2013 when they were both 21 and began collaborating the following year, mostly with computer-generated and digital images and performance pieces. They didn’t start drawing together until 2017, but their intricate and distinctive compositions have become a cornerstone of their practice, with each piece taking around two months. Over the past two years, they have expanded into demanding traditional techniques such as fresco painting and printmaking for their ultra-contemporary explorations of identity. “Our collaboration is definitely fueled by our love because the work is so intense,” says Hastings.

Through all of these mediums, the characters are portrayed as flamboyant and manly. “We love the androgyny of Michelangelo’s figures, with their masculine physique,” ​​explains Quinlan. “And funny little breasts, really naughty, high on the chest,” Hastings laughs.

In their show Disgrace, a striking colored pencil drawing, Mother, depicts a muscular woman in a fancy hat, effortlessly holding a bull on the lawn of a mansion. Giving a playful feminist touch to the Twelve Labors of Hercules, he suggests that the political emancipation of women is a Herculean endeavor. “I love that she wears this outfit but wears a bull, Hastings said. “There’s this show of force, but it’s in front of this English country mansion, so there’s the idea that its political power depends on its privileges and possessions.”

“Whether it’s villains or heroes,” she adds, “we’re always interested in drawing our characters with muscular vitality to show their power… and think about how it’s wielded.


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Amazing Los Angeles Homes | Wallpaper* https://deepwood.net/amazing-los-angeles-homes-wallpaper/ https://deepwood.net/amazing-los-angeles-homes-wallpaper/#respond Sun, 10 Oct 2021 04:04:16 +0000 https://deepwood.net/amazing-los-angeles-homes-wallpaper/ The City of Angels is also the city of architectural dreams. And Los Angeles homes are a joy – from iconic Modernist residences (hello, Garcia House and Moore House – see below), to minimalist mansions, and fascinating renovations and reinventions of existing historic fabric, to completely new contemporary homes, large and small, in all shapes […]]]>

The City of Angels is also the city of architectural dreams. And Los Angeles homes are a joy – from iconic Modernist residences (hello, Garcia House and Moore House – see below), to minimalist mansions, and fascinating renovations and reinventions of existing historic fabric, to completely new contemporary homes, large and small, in all shapes and sizes. Bathed in sunlight under California blue skies and at the forefront of their domain, these homes are rich and diverse, representing the best of Los Angeles architecture.

Amazing Los Angeles Homes

Hollywood Hills House by Envelope Architecture + Design

Photography: Matthew Millman

The slopes of hilly Los Angeles suburbs are home to some of the world’s finest Modernist residences – think Pierre Koenig’s Case Study House No 22 and John Lautner’s Chemosphere House. That’s what a couple – an interior designer and a contractor – had in mind when they started looking for a family home. Their search led them to unlikely terrain in the Hollywood Hills, ragged, empty, and bordering on a nature preserve. The steep slope, while still offering striking views, was almost unbuildable. Called for help, architect Douglas Burnham, director of Envelope Architecture + Design at Berkeley, was not fazed. Customers took hold of the land, and with it the ability to build from scratch in the hills, to create a contemporary response to these modernist classics. The architects secured the slope and landscape designer Matthew Brown re-fortified the site with native species. Soon a curious green volume began to spring from the foliage. The team enveloped the site in a wall of sculpted concrete, but this bright, cantilevered upper volume makes the house hard to miss. “There is an exuberance in the architecture of LA,” says Burnham. “There is room to experiment. The shade of green came from the customer’s preferences, but also from the canopy of the trees – although ours is largely an artificial green. ‘ The Hollywood Hills home has almost no conventionally shaped rooms. “The floor plan is very angled and faceted, few parallels or perpendiculars,” says Burnham. “We’ve tried to improve movement in the house, so it’s about spaces of movement and flow. This takes place in plan but also in section, with the volume of the main chamber slightly inclined, leaving more room for the space below. Broken geometry gives a relaxed and informal feeling.

Cove Way by Sophie Goineau

Photography: Michael Clifford

A historic mid-century Beverly Hills home by Alfred Wilkes has been restored by interior designer Sophie Goineau. Cove Way, a Californian residence set in the middle of a green park, was originally built in 1957 according to the Modernist architectural traditions of the time. Today, after two years of meticulous research and construction work, the house has regained its former glory – with a 21st century twist, while drawing on themes from great modernists, such as Richard Neutra, Harold Levitt and Mies van der Rohe and a minimalist ‘less is more’ approach. Goineau worked on refreshing the existing elements and opening up the space while maintaining the important overall aesthetics and philosophy of the structure. The house, which covers approximately 5,000 m² and has four bedrooms, is made up of an arrangement of straight and curved lines and expanses of glass that open onto the green gardens and the swimming pool outside. The pronounced overhangs of a flat roof enhance the vertical feel and visually extend the low volumes elegantly.

Moore House by Woods + Dangaran

Photography: Joe Fletcher

This 1965 Craig Ellwood home in the Los Feliz neighborhood of Los Angeles has been given a new lease of life with a full restoration by Los Angeles architecture studio Woods + Dangaran. Called Moore House, the house brings together the best of what California modernism has to offer; mid-century interiors, open-plan spaces, crisp, crisp volumes softened by the use of wood, architectural gardens and glass expanses that provide a long view of the cityscape beyond. When the team received the commission, the house was in poor condition, recalled Brett Woods and Joseph Dangaran. The two co-founders of the boutique architecture firm have to their credit a multitude of high-quality modernist-inspired homes, such as their recent Carla Ridge residence. Here, “the house envelope is improved to preserve the longevity of the structure and meet contemporary performance standards,” they explain.

Garcia House by John Lautner

Photography: Roger Davies

Perched nimbly on one side of the Hollywood Hills along Mulholland Drive in Los Angeles, John Lautner’s futuristic Garcia House is one of the most enduring specimens of the Mid-Century Modern movement. Completed in 1962 for jazz musician, conductor and Hollywood composer Russell Garcia and his wife Gina, the almond-shaped house is also well known for the steel caissons that hoist it 60 feet above the canyon. below that it is for its part in the years 1989 Lethal weapon 2, where he seems to fall apart in a blow to the villains of the film. Special effects and fame aside, the Garcia House, which indeed stands tall and tall, is now a part of living history, with its V-brackets, parabolic roof and stained glass windows. The current owners of the house, entertainment company director John McIlwee and Broadway producer Bill Damaschke, have been on a mission to restore and revive the house since they bought it in 2002, while also keeping it there. living full time. Wallpaper * first featured on the house in our January 2009 issue (W * 118), when McIlwee and Damaschke were enjoying the fruits of their ambitious restoration efforts. “When we first saw the place in 2002, it was a bit of a shambles,” McIlwee now remembers. “It was 25 years of neglect. Structurally, the house was perfect. The whole house rests on caissons and no part touches the ground. However, the roof was a big problem because it had deteriorated, ”he continues. “There was a leak through a window and she ate through part of the house. We went in, took out an old carpet, painted the house and lived there for a year. This was essential for us as we would have made different decisions if we had tried to get the job done before moving in. Writer: Pei-Ru Keh. Artistic direction: Michael Reynolds

Curson Residence by Nwankpa Design

Photography: Jess Isaac

Transforming an existing home to contemporary requirements while retaining a sense of a building’s original character and intention is no small feat. To do all of this during a pandemic is even more impressive. Achieving that balance between the old and the new, in the face of the challenges posed by local blockages and various other restrictions, is something architect Susan Nwankpa Gillespie has achieved in her latest project, Curson Residence. The project, completed by the architect’s studio, Los Angeles-based Nwankpa Design, involved the redesign of a 1920s storybook-style home in the city, which was artfully delivered by a design team and building made up entirely of women of color during the Covid -19 lockdown of 2020. The house featured a distinctive roof with steep slopes and a prominent tapered chimney facing the street. Nwankpa Gillespie worked with the main features of the original structure – such as its defining roof outline – to enhance its architectural presence on the exterior, but also its functionality and sense of space on the interior. Maintaining most of the roof, the architect pushed back the walls to add an additional 400 square feet to the existing 1,000 square foot home. The smart landscaping around the building will soon become a mature garden, adding a touch of nature to the urban site.

Monon Guesthouse by Jérôme Byron

Photography: Jess Isaac

A curious wooden structure has emerged in a back garden in the Los Angeles neighborhood of Los Feliz. Nestled behind a hillside property, here is Monon Guesthouse, the latest work of Californian architectural designer Jerome Byron; and its unusual appearance and lodge-like nature resembling architectural folly was no coincidence. “As a commission, the guesthouse was meant to spark the creativity and imagination of the husband and wife, entrepreneur and writer, and their two young children,” says Byron. The guesthouse, spanning two levels and some 245 square feet, now sits amidst lush foliage in a finely landscaped architectural garden. The levels, walkways and planting were designed by the LA Terremoto office, who first entered the site, reimagining it with a wild and graphic garden of cacti and herbs. The small cabin-like addition was then added among this natural environment.

Carla Ridge Residence by Woods + Dangaran

Photography: Joe Fletcher

Los Angeles architecture studio Woods + Dangaran has designed an idyllic hillside home nestled in one of the city’s famous green runs. Located in Trousdale Estates, the Carla Ridge Residence embodies the spirit of Los Angeles living, bringing together an urban lifestyle with spotting scopes, open spaces, and architecture that merges indoors and outdoors while making a snap. to classical modernism. Spanning a generous 9,800 square feet and five bedrooms, and created for a local developer, the home is expansive. It is also a design that is completely in tune with its surroundings, combining an open and flowing interior for its common areas, with an array of outdoor spaces. There are courtyards, paved decks, sheltered outdoor pathways, architectural gardens, and a stunning double infinity pool with views to the east of downtown Los Angeles and to the west to the ocean. Peaceful. “The visitor experience is carefully choreographed,” says the team.

Positively negative by Dan Brunn

Photography: Brandon Shigeta

This minimalist California beach house is the brainchild of American architect Dan Brunn. The house, located right on the Venice Beach waterfront, is an ode to raw concrete and clean volumes, but was born out of pragmatism and functionality; Positively Negative, as the house is named, was created in direct response to “the harsh marine weather conditions and the densely populated environment of its location,” explains the architect. Showcasing a narrow facade and attempting to strike a healthy balance between natural light, privacy and outdoor space, the design of the house was conceived as a series of stacked cubes. The composition is quite complex but also feels right at home in the Los Angeles-based Brunn portfolio – the architect is well known for his clean, minimalist sculptural work.

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Enjoy a fall celebration of Seattle Pride and other fun things to do this week https://deepwood.net/enjoy-a-fall-celebration-of-seattle-pride-and-other-fun-things-to-do-this-week/ https://deepwood.net/enjoy-a-fall-celebration-of-seattle-pride-and-other-fun-things-to-do-this-week/#respond Thu, 07 Oct 2021 13:00:00 +0000 https://deepwood.net/enjoy-a-fall-celebration-of-seattle-pride-and-other-fun-things-to-do-this-week/ Editor’s Note: With the continued high number of COVID-19 cases, COVID-19 protocols and other details regarding events are subject to change. Please check your event’s website for COVID-19 requirements and the latest information, and consider safety recommendations from local health authorities as they are updated. What happens from October 8 to 14 After Seattle Pride […]]]>

Editor’s Note: With the continued high number of COVID-19 cases, COVID-19 protocols and other details regarding events are subject to change. Please check your event’s website for COVID-19 requirements and the latest information, and consider safety recommendations from local health authorities as they are updated.

What happens from October 8 to 14

After Seattle Pride went virtual for the second summer in a row this year, event planners began planning an in-person celebration to finally bring the community together. Seattle pride All together now, held this Saturday, October 9 at Volunteer Park, will be smaller than the traditional Seattle Pride summer celebration, but it will provide a much needed boost of spirit and community unity.

All Together Now allows the LGBTQIA + community to come together in person before the end of the year. It’s also an opportunity “for people to build community with each other,” said Krystal Marx, executive director of Seattle Pride.

“The LGBTQIA + community tends to think of itself as its family, so [All Together Now] is to provide this opportunity not only to have fun but to rebuild relationships, to have that great moment of mental health clarity not to be so isolated and to showcase our community’s resilience and incredible talent. that we have, ”Marx said, adding that all of the artists on All Together Now are members of the LGBTQIA + community.

All Together Now will begin with music by DJ Dark_Wiley, followed by “Drag Queen Bingo”, conducted by Aleksa Manila, where participants will have the opportunity to win prizes such as Alaska Airlines tickets.

“And then we’re going to get into the performances. We have Cassandra Lewis, CarLarans, BeautyBoiz and Chong the nomad, and we’re really excited to have some great live music and public performances outside in October where we don’t usually get that sort of thing, ”Marx said.


The event also features food trucks including Dumpling Tzar, Full Tilt Ice Cream, Mobile Mayan and Monster Dogs, an alcohol garden for 21+ (full COVID-19 vaccination required to enter), a 360-degree photo booth, information kiosks and games like oversized Jenga, cornhole and more. An on-site UW Medicine COVID-19 vaccination clinic will also be available to provide vaccines to people who have not yet received them.

All Together Now also offers people the option to register to vote, “which is really important at our Vote with Pride booth knowing that it kicks off our Vote With Pride event where we try to encourage the LGBTQIA + community to get more involved. the fall elections, ”Marx said.

“We’re working a lot at Seattle Pride to make it a fully accessible event, so we’ll have ASL performers on stage. On our website there is also a one page accessibility document to let people know that there are bathrooms that are available besides honey buckets, where these bathrooms are located, what there is for ADA parking and what the terrain looks like to make people feel more comfortable attending, ”she said.

But All Together Now isn’t just about coming together again. National Coming Out Day will take place on October 11, and the event will feature the My Coming Out Story booth to invite attendees to reflect on their own stories.

“We wanted to be able to celebrate the act of going out and reserve space for it. It can be a very frightening occasion; it can be a sad occasion; it is always important; it can be funny; it can be hot; it can be liberating – we wanted to keep space for it, recognize it and celebrate it, and so that’s certainly a big part of why we chose the weekend that we did, ”Marx said.

The My Coming Out Story booth is produced in partnership with C89.5 FM, “one of our fantastic radio partners and a youth radio program they have at Nathan Hale High School in Seattle – this is one Washington LGBTQIA + radio stations, and it’s well known for it. We are partnering with them to understand what coming out means to people, ”she said.

Participants will receive a few questions and prompts, then use their own phone to access a website to upload their coming out story online (at videobooth.app/mycomingoutstory).

“We also have a film company that will compile the videos into one powerful piece that we can share with people, put them on our YouTube page, put them on our website, share them with our partners and just stream them. there to show the variety, diversity and depth of people’s coming-out stories… To show that we are not all the same, and that there are many different nuances to being part of the LGBTQIA + community, ”a declared Marx.

All Together Now requires event attendees to wear masks and be fully immunized or have a negative COVID-19 PCR test within 48 hours of the event.

All Together Now will take place from 3 p.m. to 7 p.m. on Saturday, October 9 at Volunteer Park, 1247 15th Ave. E., Seattle. Find more information on: seattlepride.org/all-together-now

What else is going on

Here are some other events taking place October 8-14 in the Puget Sound area. If you would like to submit an event for consideration, please complete the form at the bottom of the article.

Orcas Island Film Festival – October 7-11

Entering its seventh year, the Orcas Island Film Festival invites attendees to view a selection of internationally acclaimed and audience-favorite films at various times from October 7-11. Fifteen films over five days will be screened at the Sea View Theater. Find the schedule online; $ 190. 234 A St., Eastsound; orcasfilmfest.com

Bellevue Jazz & Blues Music Series – October 8-9

The Downtown Bellevue Association welcomes Lady A to the 14th Annual Bellevue Jazz and Blues Music Series at 7:30 p.m. on October 8 and Ray Vega and Thomas Marriott: East West Trumpet Summit with Roy McCurdy at 7:30 p.m. on October 9. Buy tickets online; $ 20 / general, $ 10 / student. 11100 NE Sixth St., Bellevue; 425-453-1223; bellevuedowntown.com

Dungeness Crab and Seafood Festival – October 8-10

Visit the Dungeness Crab & Seafood Festival and enjoy 14 local and regional restaurants serving everything from crab bisque and okra to seafood, scallops, chowder, crab cakes, fish tacos, fish and chips, paella and more. The festival also features wine from eight wineries on the Olympic Peninsula, local and regional beer, over 70 artisans, stalls, a 5km race, the ‘Grab-a-Crab’ derby and live music. direct. To free. 122 N. Lincoln St., Port Angeles; 360-452-6300; crabfestival.org

“The Snoqualmie Tribe: A Brief History of the Sammamish Lake Region” – October 9

The Redmond Historical Society presents “The Snoqualmie Tribe: A Brief History of the Lake Sammamish Area,” a presentation in its program of the 10:30 am Saturday Lecture Series Steven Moses, Director of Archeology and Historic Preservation and a member of the Snoqualmie Tribe, will explain the Indigenous connection to the northern Sammamish Lake region from 13,000 years ago to today, explore recent archaeological finds at Bear Creek, and discuss ways in which our communities can working together to preserve the shared history of the Pacific Northwest. Sign up online; free. redmondhistoricalsociety.org

Turkfest – October 9

Seattle Center Festál presents Turkfest in partnership with the American-Turkish Cultural Association of Washington online at noon. The festival features a market, food, music, dancing and more. Online broadcasting; free. facebook.com/TurkfestSeattle

Guided nature walk – In search of mushrooms; Mushroom Incursion – October 9

Seward Park Audubon invites visitors to explore the fascinating world of mushrooms with lead naturalist Ed Dominguez 1 p.m. to 3 p.m. October is fall mushroom season, and with recent rains, the meadows and forests of Seward Park are growing a variety of mushrooms; boletus, turkey tails, shaggy manes and witch’s butter add color to the park and provide clues to mushrooms just beneath the forest floor. Sign up online; free. 5902 Lake Washington S. Blvd., Seattle; 206-652-2444; sewardpark.audubon.org

Pier Sounds – October 9

Friends of Waterfront Seattle hosts Pier Sounds, a fall concert series featuring live music, local food trucks, a beer garden and more on the waterfront from 1 p.m. to 4 p.m. On October 9, the Earshot Jazz Festival presents D’Vonne Lewis and Friendz. To free. 1951 Alaskan Way, Seattle; 206-866-6817; waterfrontparkseattle.org

How to Illustrate Your Scary Story – October 9

KCLS is hosting a virtual class with cartoonist Scott Kurtz to teach participants how to bring scary animals and haunted places from their imaginations to the page at 3 p.m. Sign up online ; free. kcls.org

Maple Valley Days – October 9-10

A special fall edition of Maple Valley Days featuring shows, vendors, KidLand activities and food trucks will take place from 10 a.m. to 6 p.m. on October 9 and from 10 a.m. to 5 p.m. on October 10. Free. 22500 SE 248th St., Maple Valley; maplevalleydays.com

Where is Wenda 5K – October 10

Join Run 2 Be Fit for the fourth annual Where’s Waldo 5K (this year named Where’s Wenda, after Waldo’s girlfriend) at 10 a.m. Sign up online; $ 20-35 / run / walk (the price range includes race, bib, photos, medal, ice ball and scarf options), $ 20 / children 14 and under (includes race, bib, photos, medal) . 7201 E. Green Lake Drive N., Seattle; run2befit.com

“Zen and the art of an Android beatdown” – October 12

Book-It Repertory Theater kicks off its 2021-2022 season with the season premiere drama, “Zen and the Art of an Android Beatdown” by Tochi Onyebuchi, available online October 12. This audio journey to the heart of identity and connection promises to have spectators on the edges of their seats. Buy your tickets online; $ 20. book-it.org

7th Annual Heirloom Apple Event – October 14

The Good Shepherd Center in Wallingford hosts the 7th Annual Heirloom Apple 11 am-4pm event. To free. 4649 Sunnyside Ave. N., Seattle; historicseattle.org/event/7th-annual-heirloom-apple-event/


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How Outlander creating the gardens of Drummond Castle gained royal approval https://deepwood.net/how-outlander-creating-the-gardens-of-drummond-castle-gained-royal-approval/ https://deepwood.net/how-outlander-creating-the-gardens-of-drummond-castle-gained-royal-approval/#respond Wed, 06 Oct 2021 23:12:44 +0000 https://deepwood.net/how-outlander-creating-the-gardens-of-drummond-castle-gained-royal-approval/ How Outlander established the gardens of Drummond Castle gained royal approval Calendar An icon of a desk calendar. to cancel An icon of a circle with a diagonal line across. Caret A block arrow icon pointing right. E-mail An icon of a paper envelope. Facebook A Facebook “f” brand icon. Google A Google “G” brand […]]]>





How Outlander established the gardens of Drummond Castle gained royal approval


































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Linked to A Linked In logo icon.

Magnifying glass An icon of a magnifying glass.

Search icon A magnifying glass icon that is used to represent the search function.

Next An arrow icon pointing to the right.

Opinion An explanatory mark centered within a circle.

Previous An arrow icon pointing left.

Evaluation A star icon.

Label An icon of a tag.

Twitter A Twitter logo icon.

Video camera An icon of a video camera shape.

WhatsApp A WhatsApp logo icon.




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